Thursday, 1 October 2015

Trailer Analysis- The Man From U.N.C.L.E.


Open on an establishing shot of a city at night. The setting is stereotypical of the spy genre. The time of day indicates mystery and secrecy which help to establish some of the films themes. The lights in the distance of the shot indicate decadence. They also imply that there is more to be seen; that there are things going on off screen that we as the audience do not yet know about. This is conventional of the spy genre because it implies there is a mystery or conspiracy.

This is the first shot we get of the main character.  It is a close up of him in the back of a car with a gun. Other than the obvious genre indicator -the gun- this shot implies the genre of the film through the use of lighting and character. The high volume of shadows in the shot implies mystery and secrecy. The characters costume; his hair, ring and suit; all give off a high class, suave, James Bond type vibe which is a stereotype of the genre.

This shot is of the ‘villain’ reaching for his gun; a canted angle is used. This builds tension both with the characters and audience because the canted angle makes you feel uneasy and like you have a lack of control. It implies the characters are tense and that the scene is building to some kind of ultimatum.

The main trope of the spy genre in this shot is the car chase. It is a long shot which lets the audience get a view of all the action. It is also a high angle shot which makes the cars look small and inconsequential, dwarfing the significance of the scene. The shot has a clear colour palette of orange and blue. The orange implies danger which contrasts with the calm of the blue, and this reinforces the theme that the peril doesn’t matter.

Following the first scene, there are a number of graphics such as this which appear on the screen for a brief  time each. The voice over they are accompanied with explains some of the back story and context of the film. It conforms to stereotypes of the spy genre by featuring themes of war and international tension. The colour red implies danger and blood which are also conventional of the genre. It could also imply love or romance, which are often featured heavily in the genre.

This long shot gives us more of an idea about the theme of the movie and also tells us more about the main character.  The long shot lets us look at the surrounding environment which we can see is under military rule. We can infer that the setting is Germany from earlier in the trailer. We also see the protagonist in the shot. His positioning directly in the center implies he is important. His demeanor juxtaposes with the environment making him look even smarter. The camera is placed at the horizon line making the character seem important, and because we see his back we are seeing a similar view to him. This makes the audience empathise with him.

 Here we can see the ‘villain’ trope. Without any other context we can tell that the center character is the main antagonist because of his nefarious demeanor. The deep shadows in the surrounding environment; the scientific lab; the evil henchmen and of course the large bomb all help to frame the character in a powerful way. His location; directly in the middle of the shot also makes him look significant because he is the first thing we look at.

This is a low angle shot which makes the character seem powerful and important. His motorcycle, boots and dark clothes make the character look rugged and ready for action; we can see this is a hero type character which is stereotypical of the genre. The setting contrasts with the character by being a bright and happy countryside environment, not the place you would expect an action chase.

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